SilverFox
N°I
75 ml
N°ISoft satin
Balm N°I
$32Tobacco Vanilla
A slow, smouldering composition. Sweet tobacco rests against vanilla cured in oak — a quiet luxury that lingers from morning to last light.
Est. MMXXIV · Composed in Small Batches
Grooming,
refined to a whisper.
Hair balms composed like fine fragrance — built from rare oils, cured resins and the kind of restraint that defines a man.
SilverFox
N°I · Tobacco Vanilla
75 ml · 2.5 fl oz
Composed in New York·Pressed in Grasse·Vegan · Cruelty-Free·Small-Batch N° 0142·Carbon-Considered·Refillable Vessel·
Composed in New York·Pressed in Grasse·Vegan · Cruelty-Free·Small-Batch N° 0142·Carbon-Considered·Refillable Vessel·
The Collection
Four balms.
One discipline.
Each composition is hand-poured in lots of three hundred. Numbered, signed, and shipped in a refillable vessel of weighted glass.
SilverFox
N°II
75 ml
N°IIMatte
Balm N°II
$32Cedar Amber
Architectural and dry. Cedar carved into structure, warmed by amber resin — a balm that wears like tailoring.
SilverFox
N°III
75 ml
N°IIILow-sheen
Balm N°III
$34Sandalwood Bourbon
Creamy sandalwood folded into aged bourbon. A balm of restraint and warmth — quiet, masculine, considered.
SilverFox
N°IV
75 ml
N°IVSoft satin
Balm N°IV
$28Unscented
The architecture, without the perfumer. The same conditioning oils and quiet hold — composed for the man who prefers to arrive without announcement.
Why SilverFox
Built on four quiet principles — and a refusal to make anything that shouts.
01
Composed, not formulated.
Each balm is built by a perfumer alongside a chemist — fragrance and function carry equal weight.
02
Rare materials, restrained hands.
Mysore sandalwood, aged tobacco absolute, Atlas cedar. Used sparingly. Sourced traceably.
03
Built for the long wear.
A finish that holds from a clean shirt at dawn to a dark room at midnight.
04
Refill, never replace.
Weighted glass vessels designed to be kept. Refill pouches sent on a quiet rhythm.
The Materia
Sensory materia.
Twenty-three raw materials. Six that define the trilogy. Every one chosen for what it adds — and what it lets the others say.
N°01Karnataka
Mysore Sandalwood
Heart · Cream, milk, warmth
N°02Kentucky
Aged Tobacco Absolute
Heart · Sweet smoke, leather
N°03Morocco
Atlas Cedar
Base · Dry, structural
N°04Turkey
Liquid Amber Resin
Base · Resinous warmth
N°05Tuscany
Iris Butter
Heart · Powdered elegance
N°06Sourced fair-trade
Argan & Camellia Oils
Carrier · Featherlight conditioning
Fragrance Architecture
Composed in three movements.
Top, heart and base — built like a fragrance, not a styling product. Select a composition to read its structure.
Movement 01Top
- Bergamot
- Pink Pepper
Intensity · 62
Movement 02Heart
- Aged Tobacco
- Madagascar Vanilla
Intensity · 78
Movement 03Base
- Tonka
- Dark Honey
- Cashmeran
Intensity · 88
Texture & Finish
For the hair you actually have.
A short guide to finish, hold and behaviour across textures. Cross-reference your hair, find your balm.
Texture
Balm
Finish
Hold
Behaviour
Straight, fine
N°I
Soft satin
Medium
Adds weight without slick
Wavy, medium
N°II
Matte
Strong
Defines without stiffness
Curly, coarse
N°III
Low-sheen
Medium-strong
Conditions and shapes
Cropped / fade
N°II
Matte
Strong
Clean architectural line
Mid-length, parted
N°I
Soft satin
Medium
Quiet structure all day
In Their Words
Worn by men of intention.
4.9
2,418 reviews
Verified buyers · 2024–2026
★★★★★
N°II“Worn for a year. Still the only thing I reach for before a meeting that matters.”
Henrik V.
Architect · Copenhagen
★★★★★
N°I“The tobacco vanilla is dangerous in the best way. People ask. I never tell.”
Marcus A.
Investor · New York
★★★★★
N°III“Finally a hair product that smells like something my wife wants to be near.”
Theo D.
Director · London
★★★★★
N°II“Holds without lacquer. Conditions without grease. It is, as promised, restrained.”
Julien R.
Editor · Paris
A Quiet Manifesto
We believe a man should be remembered for the room he walks into,not the product he carries with him.
Considered, never trending.
We do not release a fourth balm because it is a season. We release nothing until it is right.
Made in lots of three hundred.
Each lot is signed, numbered, and rested for thirty days before it leaves our atelier.
Built to be kept.
Weighted glass, machined caps, refill pouches. The vessel is part of the object.
The Journal
Slow letters. No noise.
Once a month. Notes on materials, rituals, and the men we admire. Early access to new compositions. Nothing else.